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JULIEN OTTAVI - NOISE AGAINST FASCISM

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JULIEN OTTAVI - NOISE AGAINST FASCISM

Host

Mayhem

City

Copenhagen, Denmark

Type

Concert

Date

Monday 18th of November

Time

20:00 to 23:00

Price

50 DKK

STÆRK FRANSK-SVENSK NOISE MANDAG

Julien OTTAVI - hyper-action noise-performer, media activist, composer / musician, founder and member of Apo33 in Nantes.
http://noiser.org / http://soundcloud.com/thenoiser

Noise Against Fascism is Swedish sound artist Mathias Kristersson. A violent non-violent tool of resistance.
https://noiseagainstfascism.bandcamp.com/

50 kr i døren.

JULIEN OTTAVI Doctor in Arts, Composer, Artist, Curator.
A media activist, artist-researcher, composer / musician, poet and tongue destroyer, experimental filmmaker and anarchitect, founder and member of Apo33, Julien Ottavi is involved in research and creative work, combining sound art, real-time video, new technologies and body performances. Since 1997, he has developed composition work using voice and its transformation through computers. Active developer of audio/visual programs with Puredata, he has also developed for many years DIY electronics (radio transmitters, oscillators, mixers, amplifiers, video transmitters…etc) in the perspective of knowledge sharing on technological development. Main developer for the Gnu/Linux operating system APODIO for digital art and A/V & streaming diffusion. His practice is not limited to the art spheres but crosses different fields from technological development to philosophy / theoretical research, biomimetic analysis & experimentation. For many years he has reflected on the relations between experimental practices and collective practices within the creation of autonomous collective groups, putting in question the authorship strategy of the “art ideology”.

Noise Against Fascism is a noise project from Swedish sound artist Mathias Kristersson. The music is improvised electronic noise on a set up using no input mixer, fx-pedals and home made electronics. The performances can vary from deep rumbling drones to chaotic harsh soundscapes. It's loud. The aim is always to give the audience a full body experience of sonic overload. A violent non-violent tool of resistance.

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