Petra Hermanova (cz) + Mats Erlandsson (se)

Petra Hermanova (cz)

Petra Hermanova is a singer, composer and musician working primarily with the autoharp. The Berlin-based artist released her solo debut, In Death’s Eyes, in October of 2023 on the record label Unguarded. Over nine tracks, which drift between song and heavy distorted drones, Hermanova utilises autoharp, voice, and pipe organ in techniques from both folk and sacred traditions to grapple with the spiritual and earthly dimensions of devastating loss and bereavement.

In a disciplined display of beauty, pain, and astute musicianship, Hermanova brings forth a notable accomplishment of an album, which features the acclaimed organist Denny Wilke playing the Ladegast organ of the Merseburg Cathedral. The album, nominated for three different awards, including the Czech Grammy, is currently being presented at contemporary music festivals (Lunchmeat, CTM, Elevate) and also as part of the SHAPE+ platform for innovative music.

She has toured internationally with previous projects, including extensive sound and visual collaborations with Jon Eirik Boska as well as with her critically acclaimed band Fiordmoss.

https://www.petrahermanova.com/

Mats Erlandsson (se)

As a composer, musician, and sound artist, Mats Erlandsson is part of the vibrantly reemerging field of drone music in Stockholm, Sweden, and is associated with practices characterized by the extensive use of sustained sound.

Erlandsson has undergone studies in composition in Stockholm, where he received a Master’s degree in Composition of Electronic Music. In addition to his own artistic practice, Erlandsson holds a position as studio assistant at the world-renowned Elektronmusikstudion (EMS) in Stockholm.

Erlandsson presents his work both as a solo artist and in collaborations, most notably together with Yair Elazar Glotman. In 2018 the artist and choreographer Erik Berg commissioned Erlandsson to score his most recent work, Unfortunate Desires, which premiered in the spring of 2019.

Recent releases include Minnesmärke on Hallow Ground (2020), the collaboration Emmanate made with Yair Elazar Glotman on 130701 (2020), Hypodermic Letters on Portals Editions (2018), 4-track guitar music on XKatedral (2018), Selective Miracles and Valentina Tereshkova on Posh Isolation (2016), and again together with Glotman, Negative Chambers on Miasmah (2017). Erlandsson has performed his work extensively, most recently at Présences Électronique hosted by the GRM in Paris, CTM 2019 and The Long Now in Berlin, Norbergfestival in Norberg, Sonica Festival in Ljubljana and in various music and arts venues around the world.

https://matserlandsson.bandcamp.com/
https://matserlandsson.com/

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Dansk

Petra Hermanova (cz)

Petra Hermanova er sanger, komponist og musiker, hvis kunstneriske udtryk tager udgangspunkt i det 150 år gamle instrument autoharpe. Den Berlin-baserede kunstner udgav sin solodebut "In Death's Eyes" i oktober 2023 på pladeselskabet Unguarded. Over ni numre, der bevæger sig mellem sang og kraftigt forvrængede droner, bruger Hermanova autoharpe, stemme og pibeorgel med teknikker inspireret af både folkelige og kirkelige traditioner. Hun udforsker de åndelige og jordiske dimensioner af ødelæggende tab og sorg.

I en disciplineret udfoldelse af skønhed, smerte og dyb musikalsk indsigt leverer Hermanova et bemærkelsesværdigt album, der inkluderer en fremragende præstation af den anerkendte organist Denny Wilke, der spiller på Ladegast-orgelet i Merseburg-katedralen. Albummet er blevet nomineret til tre forskellige priser, herunder den tjekkiske Grammy, og præsenteres i øjeblikket på moderne musikfestivaler som Lunchmeat, CTM og Elevate, samt som en del af SHAPE+ platformen for innovativ musik.

Hun har tidligere turneret internationalt med projekter, der inkluderer omfattende lyd- og billedsamarbejder med Jon Eirik Boska, samt med sit anmelderroste band Fiordmoss.

https://www.petrahermanova.com/

Mats Erlandsson (se)

Mats Erlandsson er en komponist og musiker med en stærk tilknytning til elektronisk musik. Han fokuserer primært på at skabe og udføre værker, der udforsker kontrapunktiske processer, intonation, forholdet mellem tekstur og spektral information samt forlængede varigheder.

Erlandsson arbejder hovedsageligt selvstændigt med faste medier, live-elektronik, generativ musik og lydinstallationer, men han samarbejder også med andre kunstnere og forfattere såsom Yair Elazar Glotman, Maria W Horn og Erik Berg, samt institutioner som Ställbergs Gruva i Bergslagen.

Hans musik er blevet opført i Sverige og internationalt på festivaler som Présences Électronique arrangeret af Ina/GRM, CTM/Transmediale, Sonica Festival, Maerzmusik, Norbergfestival, Intonal, Flussi Festival, Eufonics og Sound of Stockholm. Han har også optrådt på scener som Café OTO, GRM, Audiorama, Mayhem, ACUD og Fylkingen.

Hans værker er blevet udgivet af pladeselskaber som Posh Isolation, Miasmah Recordings, Portals Editions, 130701, Vaagner Archives, Hallow Ground og XKatedral.

Udover sine kunstneriske aktiviteter arbejder han som studietekniker hos EMS Elektronmusikstudion i Stockholm og som lydleder for indspilninger og fremførelser af samtidskunstmusik.

https://matserlandsson.bandcamp.com/
https://matserlandsson.com/

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