Dybdestegte Productions and Year 22
Thursday 30/07/2026
17:00 At CCsquele's parents' yard
Blaagaards Festival
Friday 31/07/2026
16:00 At Blågårdsgade
Frigjort Festival
Thursday 06/08/2026
15:00 At Musik Loppen
UHØRT
Thursday 06/08/2026
17:00 At UHØRT
Cisternerne and Copenhagen Opera Festival
Monday 17/08/2026
19:00 At Cisternerne
Final Descent
Thursday 20/08/2026
19:00 At Skt.Thomas Kirke
Rust
Friday 21/08/2026
20:00 At Rust
URBAN 13
Saturday 22/08/2026
17:00 At Urban 13
BETA2300
Thursday 27/08/2026
19:00 At BETA2300
KLEIN kbh
Friday 28/08/2026
18:00 At KLEIN
Spillestedet Stengade
Friday 28/08/2026
20:00 At Spillestedet Stengade
Final Descent
Wednesday 02/09/2026
19:30 At Basement
Rust
Sunday 06/09/2026
20:00 At Rust
DKDM
Tuesday 08/09/2026
17:00 At Konservatoriets Koncertsal
Final Descent
Wednesday 09/09/2026
18:30 At KLEIN
ALICE and Final Descent
Friday 11/09/2026
20:00 At Alice
Brorsons Kirke
Thursday 17/09/2026
19:00 At Brorson's Kirke
Final Descent
Friday 18/09/2026
20:00 At LiteraturHaus
Final Descent
Saturday 19/09/2026
20:00 At Mayhem
Glyptoteket
Thursday 24/09/2026
17:00 At Glyptoteket
Festival of Endless Gratitude
Thursday 24/09/2026
18:00 At Kildevæld Kulturcenter
Basement
Saturday 10/10/2026
19:30 At Basement
Spillestedet Stengade
Wednesday 28/10/2026
20:00 At Spillestedet Stengade
Final Descent
Friday 06/11/2026
19:30 At Basement
Den Grå Hal
Saturday 07/11/2026
19:00 At Den Grå Hal
KLEIN kbh
Friday 13/11/2026
20:30 At KLEIN
This event has passed
Thursday 13th of March 2025
20:00 to 23:59
130 DKK
The Australian guitarist Jules Reidy’s airy guitar figures weave in and out of the Italian drummer Andrea Belfi’s syncopated, percussive patterns in this new collaboration. Last year, they released the critically acclaimed Dessus Oben Alto Up, and now they are coming to Union in Copenhagen with their hypnotic, improvised music.
Andrea Belfi & Jules Reidy (IT/AU)
There is a ghostly quality to Andrea Belfi and Jules Reidy’s 2024 collaborative release, Dessus Oben Alto Up. Reidy’s microtonal and kaleidoscopic, feather-light guitar strokes weave in and out of Belfi’s organic and ever-changing percussive patterns. It is almost impossible to tell that the album was created during a residency between two musicians who had barely met before pressing the record button.
The result is a dazzling, long-form improvisation, where the two musicians slowly waltz between floating, airy expressions and ominous, heavy dissonance, together creating a soundscape in which time momentarily stands still.
Andrea Belfi’s distinctive sound emerges from the dynamic interplay between his fluid drumming and complex electronic soundscapes, where the manipulation of time creates a sense of stillness in motion, thus giving the music a ritualistic quality.
Jules Reidy challenges all preconceived notions of what guitar music can be. Their latest work is best described as a series of non-traditional song forms, combining wavering harmonies, rhythmic elasticity, and abstract narratives at the intersection of the acoustic and the processed.
https://andreabelfijulesreidy.bandcamp.com/album/dessus-oben-alto-up
Margo Sanda (IT)
Margo Sanda is a multifaceted artist working across music production, composition, and multimedia arts. Raised in Lake Garda (IT), her artistic journey began with the Misto Mame collective in Rome, followed by experiences in Bristol, Berlin, and back in Italy. She currently resides in Copenhagen, Denmark, where she studies at the Rhythmic Music Conservatory.
With three EPs released, Margo explores the realms of avant-garde songwriting, free improvisation, and computer-based deconstruction, featuring various collaborations with musicians from the classical and jazz worlds.
Deeply inspired by non-Western rhythms, Margo weaves them into her music to challenge perception and expectation. Her vocals blend the dramatic depth of ’60s-’70s Italian singers like Mina and Milva with contemporary spoken word.
Blending electronic effects with acoustic elements, she crafts emotionally powerful soundscapes, defined by a tactile, immersive production style where contrasts and sudden shifts play a central role.
https://margosanda.bandcamp.com/
Read more at finaldescent.org
Dansk
Den australske guitarist Jules Reidys luftige guitarfigurer væver sig ind og ud mellem den italienske trommeslager Andrea Belfis synkoperede, perkussive forløb i dette nye samarbejde. Sidste år udgav de den kritikerroste Dessus Oben Alto Up, og nu kommer de til Union i København med deres hypnotiske, improviserede musik.
Andrea Belfi & Jules Reidy (IT/AU)
Der er en spøgelsesagtig kvalitet over Andrea Belfi og Jules Reidys collab-udgivelse fra 2024, Dessus Oben Alto Up. Reidys mikrotonale og kalejdoskopiske, fjerlette guitarstrøg væver sig ind og ud mellem Belfis organiske og foranderlige percussion-spil. Det er umiddelbart svært at høre, at pladen er blevet til under et residency mellem to musikere, som knap havde mødt hinanden, før de trykkede på optag.
Resultatet er en blændende, langstrakt improvisation, hvor de to musikere langsomt valser mellem svævende, luftige udtryk og faretruende, tung dissonans og sammen skaber et lydtæppe, hvorunder tiden for en stund står stille.
Andrea Belfis karakteristiske lyd opstår i det dynamiske samspil mellem hans flydende trommespil og komplekse elektroniske lydlandskaber, hvor manipulationen af tid skaber en følelse af stilstand i bevægelse og dermed giver musikken en rituel karakter.
Jules Reidy udfordrer alle forestillinger om, hvad guitarmusik kan være. Deres seneste arbejde kan bedst beskrives som en række ikke-traditionelle sangformer, der kombinerer vaklende harmonier, rytmisk elasticitet og abstrakte fortællinger i krydsfeltet mellem det akustiske og det processerede.
https://andreabelfijulesreidy.bandcamp.com/album/dessus-oben-alto-up
Margo Sanda (IT)
Margo Sanda er en alsidig kunstner, der bevæger sig mellem musikproduktion, komposition og multimediekunst. Hun voksede op ved Gardasøen og startede sin kunstneriske rejse i Rom med Misto Mame-kollektivet, før hun drog videre til Bristol, Berlin og tilbage til Italien. Nu bor hun i København, hvor hun studerer på Rytmisk Musikkonservatorium.
Med tre EP’er ude har Margo kastet sig ud i alt fra avantgardistisk sangskrivning og fri improvisation til computerbaseret dekonstruktion, ofte i samarbejde med musikere fra den klassiske og jazzede verden.
Hun henter stor inspiration fra ikke-vestlige rytmer, som hun væver ind i sin musik for at udfordre lytternes forventninger. Hendes vokal blander den dramatiske nerve fra 60’ernes og 70’ernes italienske sangerinder som Mina og Milva med nutidens spoken word.
Ved at lege med kontraster og pludselige skift skaber hun stærke, sanselige lydlandskaber, hvor elektroniske effekter og akustiske elementer smelter sammen i en taktil og dragende produktion.
Til koncerten på Basement optræder Margo Sanda i et duo-format.
https://margosanda.bandcamp.com/
Læs mere på finaldescent.org