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Copenhagen, Denmark
Concert
Tuesday 18th of March
20:00 to 23:59
100/50dkk (student)
● 𝐌𝐚𝐫𝐢𝐚 𝐁𝐞𝐫𝐭𝐞𝐥 / 𝐉𝐢𝐦 𝐊𝐢𝐦𝐜𝐡𝐢 ●
Maria Bertel - basun+FX
Jim Kimchi - elektronik
Maria Bertel
Maria Bertel er en dansk trombonespiller, improvisator og komponist. Den akustiske lyd af hendes instrument forstærkes og skaber et output, der henter inspiration fra drone- og støjmusik. Det, der normalt ikke kan høres, præsenterer sig selv. Bevægelser, metal og åndedræt bliver en hvirvlende del af hendes kompositioner. Der opstår skiftende organiske mønstre, små lyde bliver brutalt tydelige, og det samme gælder instrumentets overtoner.
Ud over sit arbejde som solokunstner optræder og komponerer hun i grupper som det berygtede firemands-støjrockband Selvhenter og den improviserede støjduo Nina Garcia & Maria Bertel. Hun har også samarbejdet med kunstnere som den kinesiske saxofonist Lao Dan og Virginia Genta fra Jooklo duo.
Hun har præsenteret sin musik på forskellige festivaler som f.eks: Oct-Loft Festival Shenzhen (CHI), LUFF (CH) Summer Bummer (BE) Flow Festival (FL) Supersonic Festival (UK) Raw Power festival (UK) Sonic Protest (FR) Gong Tomorrow (DK) Roskilde Festival (DK) Borealis (NO) OFF festival B-sides festival (CH) Mteo festival (FR)
Hun er en af fem medstiftere af det københavnske kunstkollektiv eget værelse, der blev grundlagt i 2010.
Jim Kimchi
Som medstifter af kunstkollektivet glitch.cool udforsker den københavnske Jim Kimchi de forskellige lydlandskaber, der opstår som følge af den intensive resamplingsproces, der ligger i hans kompositions- og lyddesignstil. Ved at kombinere elementer fra EDM, IDM, free jazz og glitch-musik i en hyperglitch-fokuseret energifest navigerer han i et hidtil ukendt lydligt territorium. Jim Kimchi dykker ned i det rytmiske samspil mellem elastiske og stramt komponerede kompositionsstrukturer og fodrer dine ører med uklar atmosfære, klippende subbas og feedback-genererede blips, der alle er gæret til en krydret saltlage, der lækker ind i din auditive cortex.
I øjeblikket arbejder han sammen med en række jazz- og klassiske improvisatorer om at komponere en collage af ambient, free jazz, neoklassisk, dekonstrueret klub-, glitch- og støjmusik.
Med sin erfaring med Max/MSP har han udforsket alternative måder at optræde med bærbare computere med fokus på improvisationer med computeren. Det har resulteret i performances med spillekort og QR-koder, der udløser lyd og effekter, og andre performances, der bruger håndbevægelser til at modulere generativ sequencing og resamplet lyd. En total dekonstruktion af begrebet »laptop-performance« har også manifesteret sig som en række støjkoncerter, hvor den fysiske laptop blev skilt ad og ødelagt, mens der blev brugt kontaktmikrofoner og lydtransducere til at opfange lyden og dens feedback.
Hans udgivelser omfatter Pure Gravy EP (2020, Paracusia Media), Space Container (2022, Detroit Underground), Satellite Therapy (2022, glitch.cool) og Organ Fodder EP (2022, glitch.cool).
Han frekventerer den danske støj- og eksperimentalscene og har optrådt på festivaler som SUPERNOISE (DK), Club Deconstruct (DK), Vinterjazz (DK), Kallelse (SE), Stromspiesser (DE), Unity Gathering (PO), Idealistic Festival (PO) og Scorpion Métal (FR) samt udført opgaver for det danske kulturministerium og Det Danske Filminstitut.
● 𝐏𝐑𝐢𝐌𝐢 𝐒𝐭𝐮𝐝𝐢𝐨 #𝟑𝟏 𝐅𝐥𝐮𝐭𝐢𝐨 𝐍𝐢𝐠𝐡𝐭 - 𝐇𝐨𝐬𝐭𝐞𝐝 𝐛𝐲 𝐌𝐞𝐭𝐭𝐞 𝐇𝐨𝐦𝐦𝐞𝐥 ●
Du er hermed inviteret til den første Flutio Night nogensinde, en PRiMi Studio Night med fløjter i massevis. Vi præsenterer fire improvisationsværker designet til at udforske fløjten som velkendt og fremmed territorium. Fløjten udforskes som en krop, gennem en krop, i det fysiske rum og i det metaforiske rum. Hvis du vil med på workshoppen, så kontakt Mette Hommel. Jo flere desto bedre. Viva la revolution.
→𝙀𝙉𝙂𝙇𝙄𝙎𝙃←
● 𝐌𝐚𝐫𝐢𝐚 𝐁𝐞𝐫𝐭𝐞𝐥 / 𝐉𝐢𝐦 𝐊𝐢𝐦𝐜𝐡𝐢 ●
Maria Bertel: trombone+FX
Jim Kimchi: electronics
Maria Bertel
Is a Danish trombone player, improviser and composer. The acoustic sound of her instrument amplified creates an output that draws inspiration from drone and noise music. What is normally not hearable is presenting itself, movements, metal and breath becomes a swirling part of her compositions. Changing organic patterns are emerging, tiny sounds becomes brutally clear as well as the range of overtones of the instrument.
Apart from her work as a solo artist she performs and composes in groups like the notorious four piece noise rock band Selvhenter and improvised noise outfit duo Nina Garcia & Maria Bertel. She has also collaborated with artists like Chinese saxophone player Lao Dan, and Virginia Genta of Jooklo duo.
She has presented her music in various festivals like: Oct-Loft Festival Shenzhen (CHI), LUFF (CH) Summer Bummer (BE) Flow Festival (FL) Supersonic Festival (UK) Raw Power festival (UK) Sonic Protest (FR) Gong Tomorrow (DK) Roskilde Festival (DK) Borealis (NO) OFF festival B-sides festival (CH) Meteo festival (FR)
She is one of five cofounders of the Copenhagen based art collective eget værelse founded in 2010.
Jim Kimchi
As a co-founder of the glitch.cool art collective, Copenhagen-based Jim Kimchi explores the varied soundscapes that erupt from the intensive resampling process inherent to his style of composition and sound design. By combining elements from EDM, IDM, free jazz, and glitch music in a hyperglitch-focused energyfest, he navigates a currently-uncharted sonic territory. Delving into the rhythmic interplay between elastic and tightly-composed compositional structures, Jim Kimchi feeds your ears cloudy ambience, clipping sub bass, and feedback-generated blips all fermented into a spicy brine leaking into your auditory cortex.
Currently he is working with a series of jazz and classical improvisors to compose an collage amalgamation of ambient, free jazz, neoclassical, deconstructed club, glitch and noise music.
With his experience with Max/MSP, he has been exploring alternative ways of performing with laptops, with a focus on improvisations with the computer. This has resulted in performances with playing cards and QR codes to trigger sound and effects, and other performances using hand gestures to modulate generative sequencing and resampled audio. A total deconstruction of the concept of "laptop performance" has also manifested as a series of noise concerts where the physical laptop was disassembled and destroyed while using contact microphones and audio transducers for picking up the sound and its feedback.
His releases include Pure Gravy EP (2020, Paracusia Media), Space Container (2022, Detroit Underground), Satellite Therapy (2022, glitch.cool) and Organ Fodder EP (2022, glitch.cool).
He frequents the Danish noise and experimental scene and has performed on festivals such as SUPERNOISE (DK), Club Deconstruct (DK), Vinterjazz (DK), Kallelse (SE), Stromspiesser (DE), Unity Gathering (PO), Idealistic Festival (PO) and Scorpion Métal (FR), as well as commissions for the Danish Ministry of Culture and The Danish Film Institute.
● 𝐏𝐑𝐢𝐌𝐢 𝐒𝐭𝐮𝐝𝐢𝐨 #𝟑𝟏 𝐅𝐥𝐮𝐭𝐢𝐨 𝐍𝐢𝐠𝐡𝐭 - 𝐇𝐨𝐬𝐭𝐞𝐝 𝐛𝐲 𝐌𝐞𝐭𝐭𝐞 𝐇𝐨𝐦𝐦𝐞𝐥 ●
You are hereby invited to the first ever Flutio Night, a PRiMi Studio Night with flutes galore. Four improvisation prompts designed to explore the flute as familiar and unfamiliar territory will be presented. Exploring the flute as a body, through a body, in the physical space and in the metaphorical space. If you want to join the workshop please reach out to Mette Hommel. The more the merrier. Viva la revoflution.
PRiMi is supported by Musikudvalget and Kultur & Fritidsudvalget in Københavns Kommune, Statens Kunstfond, Roskilde Festival Fonden and Koda Kultur.
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